It landed like a bomb. “Discussing the Undiscussable,” a 1994 New Yorker essay by the dance critic Arlene Croce, started off with a sentence that blew the minds of many: “I have not seen Bill T. Jones’s ‘Still/Here’ and have no plans to review it.”
The choreographer Lenio Kaklearich9, born and raised in Greece, has made her career in France. On Saturday she made her U.S. debut on the ball fields of Governors Island in New York Harbor. This was an apt port of entry, as the work she brought — an
Beneath the soaring dome of the Panthéon, performers, dressed in black, spilled across a vast stage. Suddenly their bodies stopped and with it, the breeze in the air. Now still as sculptures, they began to shift their heads, gradually locking eyes w